When you go your way and I go mine. It is incidentally the opposite of the verse of “Rolling Stone” – the ultimate song of disdain. Well, all right, you go your way, I'll go mine I'll get over you in time There's nothing here to hold you now We left those dreams so far behind You go your way, I'll go mine. Great song, very much of its time. Dylan’s not going to tell us, and maybe he doesn’t know, can’t remember or never knew. In the world of pop and rock, at least when I played in bands, there was the joke about how those of us on lead guitar, keyboards or percussion could talk about what we were doing – the attempts to try and go a bit further, explore new possibilities, do something different but within the context of the song. It is not the harshest of Dylan farewells by any means, indeed it is stretching a point to call it a song of disdain, but he’s playing about with her by the end and suggesting that for all that she is doing hurting him, she’s the one who is going to be left behind. Time and again in songs of this era Dylan uses the descending bass to perfection – and often to make it sum up all that has gone before, in the chorus. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965, Gotta Serve Somebody: The Gospel Songs of Bob Dylan, Lost on the River: The New Basement Tapes, I Don't Believe You (She Acts Like We Never Have Met), It Takes a Lot to Laugh, It Takes a Train to Cry, Stuck Inside of Mobile with the Memphis Blues Again, Most Likely You Go Your Way and I'll Go Mine, The Ballad of Frankie Lee and Judas Priest, Most Likely You Go Your Way And I'll Go Mine, Most Likely You Go Your Way (And I'll Go Mine), Stuck Inside of Mobile With the Memphis Blues Again, Tight Connection to My Heart (Has Anybody Seen My Love), The Bootleg Series Vol. "Most Likely You Go Your Way and I'll Go Mine" is the first track of the second disc of the 1966 album Blonde on Blonde, the seventh album from singer-songwriter Bob Dylan. Wiki says that “Prevalent on the recording are trombone, piano, guitar, harmonica, bass guitar, drums and electronic organ.”  I’m blowed if I can hear a trombone playing the vinyl with quality modern amp and speakers. Time and again in songs of this era Dylan uses the descending bass to perfection – and often to make it sum up all that has gone before, in the chorus. A high judge(on stilts)in a court of law, also having been subjected to the ways of women(holds a grudge)is likely going to do the same(fall on you). Listen online to Carole King - You Go Your Way, I'll Go Mine and find out more about its history, critical reception, and meaning. Oh, there's no need for false amending Things get so confusinf when you do When love's become a loss, we spend our nights defending I feel so damn defeated when we're through. And you don’t deserve me When you go your way and I go mine It starts on on A flat and works down in a classic Dylan way. When you go your way and I go mine. Now I have argued before that images – especially the images of the curious odd folk that litter Dylan songs from this era – don’t have to represent a reality. The construction of the verses is unusual – the easiest way to write them is as a set of three line sections: You say you love me Plod, plod, plod, I can’t go on doing this, I’m not angry, I;ve just had enough and I’m walking away. [citation needed], "Most Likely You Go Your Way and I'll Go Mine", Learn how and when to remove this template message, Live 1961–2000: Thirty-Nine Years of Great Concert Performances, Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings, Bob Dylan: The Complete Album Collection Vol. You Go Your Way, I'll Go Mine Lyrics by Carole King. We use cookies and similar tools to enhance your shopping experience, to provide our services, understand how customers use our services so we can make improvements, and display ads. A perfectly reasonable chord to use in this key, but very unusual for rock. You and I We ought to try to face the fact The. 10: Another Self Portrait (1969–1971). View credits, reviews, tracks and shop for the 2007 CD release of Most Likely You Go Your Way (And I'll Go Mine) Re-Version on Discogs. If we do come up with anything it is going to be a guess. 4: Bob Dylan Live 1966, The Bootleg Series Vol. Recorded at Columbia Music Row Studios in Nashville, Tennessee, on March 9, 1966,[1] the instrumental track features members of the A-Team of studio musicians, including Charlie McCoy on trumpet, Kenny Buttrey on drums, Hargus "Pig" Robbins on piano, Jerry Kennedy, Joe South, and Wayne Moss on guitar, Bill Aikins on organ, and Henry Strzelecki on bass, along with guitarist Robbie Robertson. That you wanna hold me But you know you're not that strong I just can't do what I done before I just can't beg you any more I'm gonna let your pass And I'll go last Then time will tell just who has fell And who's been left behind When you go your way and I go mine. But he’s getting closer to disdain. He plays one note on each beat of the bar, plod plod plod plod, reflecting the chords exactly. Submit lyrics correction → 55k Like. A dream? Here Dylan is probably originally playing in G but problems with keeping the speed of an analogue tape dead true means it sounds now like a slightly low A flat. Lift me, won't you lift me above the old routine; Make . So I do not find this verse in any way out of context with the song as a whole..it’s just done in the fragmented style of Modernist poets like TS Eliot. This is a decent soundboard recording of an excellent concert recorded at Madison Square Garden, New York City, on January 31, 1974, with The Band. I even went and looked the song up in Heylin, in the vague hope that he might offer something, but he doesn’t even recognise that the middle 8 is odd, either musically or lyrically – but then he would not, would he? I remember one young sister with rainbows in her eyes Standing. Watch the video for You Go Your Way, I'll Go Mine from Carole King's Wrap Around Joy for free, and see the artwork, lyrics and similar artists. Here it is – the original review continues below…. Wrap Around Joy by Carole King. 12 tracks (50:23). ( You Go Your Way) I'll Go Mine. For tellin’ stories "Most Likely You Go Your Way and I'll Go Mine" is written and recorded by Bob Dylan for his 1966 album Blonde on Blonde. What’s more strange is that after alternating between B flat minor and A flat in the first group of three lines he then goes off to C minor – again a perfectly reasonable cord to use in the key, but unusual for rock, and a chord sequence unique in a Dylan song. Despite not appearing on the album, this version was released as an online single. The judge, he holds a grudge It does that to you, so I shouldn’t be pointing the finger at the bass player. 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